... old man because his parents forced him to, actually he was told to stay away form the old man because he was bad luck, but because he wanted too. He liked to be around the old man and listen to what he had to say. When the old man would look at Manolin he would see himself at a younger age, someone who cared more about the elderly and their heritage than the new ways bestowed on them. Manolin symbolized the disciples of Jesus. The ones who would follow him to his death and then go out and preach his ways. He believes in the old man and takes charge and tells all the other fisherman to stay away from Santiago aft ...

... with the exception of June. The first section, logically, is about the mothers' childhoods in China, the period of time during which their personalities were molded, giving the reader a better sense of their "true" selves, since later in the book the daughters view their mothers in a different and unflattering light. Tan does this so the reader can see the stories behind both sides and so as not to judge either side unfairly. This section, titled Feathers From a Thousand Li Away, is aptly named, since it describes the heritage of the mothers in China, a legacy that they wished to bestow on their daughters, as the ...

... thus he is called by the book's title, "the stranger". While this behavior can be seen as a negative trait, there is a young woman who seems to want to have a relationship with Meursault and a neighbor who wants friendship. He seems content to be indifferent, possibly protected from pain by his indifference. Meursault rarely shows any feeling when in situations which would, for most people, elicit strong emotions. Throughout the vigil, watching over his mother's dead body, and at her funeral, he never cries. He is, further, depicted enjoying a cup of coffee with milk during the vigil, and having a smoke wi ...

... In the past, Jay had a love affair with the affluent Daisy. Knowing he could not marry her because of the difference in their social status, he leaves her to amass wealth to reach her economic standards. Once he acquires this wealth, he moves near to Daisy, "Gatsby bought that house so that Daisy would be just across the bay (83)," and throws extravagant parties, hoping by chance she might show up at one of them. He, himself, does not attend his parties but watches them from a distance. When this dream doesn't happen, he asks around casually if anyone knows her. Soon he meets Nick Carraway, a cousin of Daisy, wh ...

... reason that Beowulf needs to kill the dragon and that Roland refuses to blow the horn. Genealogy in a hierarchical society is of great importance, and to fall into shame reflects not only on oneself, but on one's family and nation. The field on which the epic hero performs is grounded in socio-political and historical 'reality'. Charles Moorman writes that "the world in which Roland lives and fights is ... a very simple world, rigidly, and comfortingly, described by the laws of the Church and Emperor". Although elements of 'the miraculous' appear in the epic, they result in no more than a heightening or aggran ...

... obtain the dream. These two are very compelling yet there were those who were not content in either, and these were emphasized in Jay Gatsby. Jay Gatsby had been one of many who attempted for fame and glory, and due to his persistent dissatisfaction the results culminated in success. Unlike others Gatsby felt condemned not to be a fradulent dog. “The Truth was that Jay Gatsby, of west Egg, Long Island, sprang from his platonic conception of himself.�(pages 104, 15-16) Distorting his name, inventing a seventeen-year-old self-conception, he masked his counterfeit wealth from bootlegging with an image he wore wi ...

... his immense torture but he did. In the end the prisoner was rescued by General Lasalle after Lasalle invaded Toledo. The ending was proper for the plot, because he deserved to be rewarded after his immense torture. It is a major coincidence that they invaded Toledo to save the falling prisoner from his death. The plot is suspenseful. It kept you on you're toes at every moment because of the ever danger of death in each paragraph. In the conflict the plot is subtle and complex as well as a struggle between and all-good hero and an all-bad villain. The prisoner is being tortured by a person that seems to be all ...

... childhood behavior. Finally himself, because he suppressed his guilt and refused to accept the shadow that lurked within him. The five people that killed Boy Staunton (as stated) were: Mary- “the woman he did not know�, Leola- “ the woman he knew�, Dunstan- “the keeper of his conscience and the stone�, Paul- whom granted his inner most wish, and lastly, Boy Staunton himself. It can be observed that childhood experiences play a very important role in the stableness of ones soul. One mishap in childhood can create a devastating blow to ones true happiness in later life. This was exactly the case ...

... about childhood. For example, Scout’s revelation at the end of the novel. while she was standing on the Radley porch, was clearly beyond a child’s capability. Most adults would be too traumatized by the experience in the forest even to be lucid, let alone come to the deep philosophical epiphany that she reached about Boo. Instead of a character revelation from Scout, it comes across more as a direct message from the author, as if she had temporarily possessed Scout’s mind. As good as the novel is, this uneven characterization happens throughout. Scout repeatedly discovers ideas that are more suited to someon ...

... nature in King Lear by looking at specific characters in the play: Cordelia who is wholly good, Edmund who is wholly evil, and Lear whose nature is transformed by the realization of his folly and his descent into madness. The play begins with Lear, an old king ready for retirement, preparing to divide the kingdom among his three daughters. Lear has his daughters compete for their inheritance by judging who can proclaim their love for him in the grandest possible fashion. Cordelia finds that she is unable to show her love with mere words: "Cordelia. [Aside] What shall Cordelia speak? Love, and be silent." Act I, sc ...