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On Man Ray’s Violin D’Ingres
Part 1 of Paper
....how photography is perceived and what is possible within a photograph in this example. Man Ray himself was an American, born as Emmanuel Rudnitsky, but moved to Paris and engaged in very non-American photography. Europe lacked the American ideals about what “strait photography” should be. While American schools .... Part 2 of Paper
.... in Europe was busy tackling new subject matter and expressing itself in every way possible. Images were manipulated in ways foretelling of much of photography’s future, including what is so possible digitally. However, the most important thing is perhaps that this movement was embodied by the belief that expressing yourself in anyway is possible. In other photography movements previously, large groups of people tended to represent similar ideas.
Technically, Man Ray has been known to take .... |
| Number of words: 968 - Approximate pages: 4 |
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