... (1-2). The poem "mocks the Petrarchan doctrine of eternal faithfulness, putting in its place the anti-morality which argues that constancy is a 'heresy' and that 'Love's sweetest part' is 'variety'" (Cruttwell 153). The first two stanzas of the poem seem to be the speaker talking to an audience of people, w hile the last one looks back and refers to the first two stanzas as a "song." The audience to which this poem was intended is very important because it can drastically change the meaning of the poem, and has therefore been debated among the critics. While most critics believe that the audience changes from ...

... were among the most abused work force in that country's history. William Blake saw this increase of social injustice and was overwhelmed, so he began to write about this hypocrisy of social values that he felt was being carefully hidden from the mainstream. While most considered this unavoidable, child labor was a topic that they did not discuss openly in social groups. Blake wanted to change all of that. As a social critic, he wrote many poems condemning the hypocrisy between these two worlds, for example, "The Chimney Sweeper," "London," and "The Garden of Love." In "London," Blake reveals that th ...

... and his successes in life. His own life fascinated him.(Rogers 19) Therefore, he felt he wanted to share his fascination with the people he enjoyed writing about. Carl Sandburg is so greatly remembered because his writing was considerably different from the writing of his contemporaries. He let his mind travel, and be free. His works included the use of free verse, colloquialisms, an original type of rhythm, and oddly structured, prosaic poetry that emphasized key phrases and images.(clc 35, 338) Sandburg was the first of a long line of poets and authors to use the words and phrases that he created in ...

... symbol is the bust of Pallas. Why did the raven perch on the bust of the goddess of wisdom? Perhaps it led the man to believe that the Raven spoke from wisdom; or perhaps it was to lead the audience to see the man as being intellectual. According to Poe himself, the reason for using "Pallas" in the poem was simply because of the "sonorousness of the word, Pallas, itself" (Poe, 1850). A less obvious symbol, might be the use of "midnight" in the first verse, and "December" in the second verse. Both midnight and December symbolize an end of something, and the anticipation of a transition to occur. The midnig ...

... that's important. It's what they do about it. I've learned - That you can do something in an instant that will give you heartache for life. I've learned - That no matter how thin you slice it, there are always two sides. I've learned - That it's taking me a long time to become the person I want to be. I've learned - That it's a lot easier to react than it is to think. I've learned - That you should always leave loved ones with loving words. It may be the last time you see them. I've learned - That you can k ...

... of jealousy that he is with her love, and she is not. She feels envious of the fact that he can speak and laugh with her love, and she can't. "-he who listens intimately to the sweet murmur of your voice, the enticing laughter that makes my own heart beat fast. If I meet you suddenly, I can't speak- my tongue is broken." She wishes that she had the same relationship with her love that he has. The Greeks believed that love was so strong of an emotional feeling that it could have physical effects. In the poem, the speaker becomes ill from loving so much. She is hurt inside because she is not with her love, and ...

... field to pick up the survivors. The drivers of the truck are playing the role of God, by coming and saving the soldier's from death. Another reference to God in the same poem is when Rosenberg refers to the "limbers," wheels of a cannon being pulled, carrying the dead as "Stuck out like many crowns of thorns," symbolizing Jesus's crown of thorns that he wore at his crucifixion. Finally they hear a sound, one of the soldier is still alive. He begs the cavalry to hasten their search and find him. The troops hear him and begin to come barreling around the bend only to hear the dying soldier murmur his last screa ...

... pertains to the psyche's capability to subdue traumatic events. I would like to start analyzing these images of nature by looking at Rich's belief of what poetry is supposed to do? She suggests that A poem can't free us from the struggle for existence, but it can uncover desires and appetites buried under the accumulating emergencies of our lives, the fabricated wants and needs we have had urged on us, have accepted as our own. It's not a philosophical or psychological blueprint; it's an instrument for embodied experience. But we seek that experience, or recognize it when it is offered to us, because it remin ...

... know'st that this cannot be said A sin, nor shame, nor the loss of maidenhead, Yet this enjoys before it woo, And pamper'd swells with one blood made of two, And this, alas, is more than we would do.(5-9) This stanza also says that the flea enjoys the mixing of blood which is referred to as sex. It is the authors comment that they have intercourse within the flea but that is more than the two of them do together. Saying to her that this would not be adultery suggests that she has a strong faith and is ethically bound to abide by the principals of her religion. His argument is to put down the religion b ...

... of the author looking back upon his own initial opinions of the war, while stationed at a field hospital carrying his latest and final thoughts regarding what he held as an unnecessary encounter. However, to understand the contrasts between his first, then ultimately conclusive belief, one must delve into his earlier works. In the first poem of "Drum Taps", "First O Songs For A Prelude" the poem indicates to the reader that Whitman is staunchly enthusiastic towards the first battle: The tumultuous escort, the ranks of policemen preceding, clearing the way, The unpent enthusiasm, the wild cheers of th ...