... kid would tell them- all cockeyed, naturally- what it meant, and how they'd all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it. I figured it was some perverty bum that'd sneaked in the school late at night to take a leak or something and then wrote it on the wall. I kept picturing myself catching him at it, and how I'd smash his head on the stone steps till hew as good and goddam dead and bloody." (201) His deep concern with impeccability caused him to create stereotypes of a hooligan that would try to corrupt the children of an elementary school. Hol ...

... and Brutus realizes this. He even asks Cassius, "Into what dangers would you lead me, Cassius, for that which is not in me?". This quote proves that Brutus knew that Cassius was trying to manipulate him, and yet Brutus decided to stay and listen. Through the decision making that Brutus showed in that instance, it can be seen that Brutus is not a very smart person. Brutus' lack of intelligence is also shown when all the other conspirators are at his house. Cassius suggests that Cicero should be asked to join the conspiracy because "his silver hairs will purchase us a good opinion". Brutus, however, thinks ...

... of science, government and institution. Next we will turn to the issue relationships. Finally we examine Bazarov’s death and the stunning truths it reveals. These issues combined with the theme of will prove that chance, or fate is a strong force which cannot easily be negated. as a concept is used throughout Fathers and Sons. To gain a better understanding of the ideas behind this term let’s look at what Bazarov says on the subject. "We base our conduct on what we recognize as useful... the most useful thing we can do is to repudiate – and so we repudiate" (123). The base concept of is to deny or ne ...

... he be able to teach his children at all if he is hung. This is the Trap that has been set for John Proctor. His choice though is the one of a coward; for if he had instead of being hung chose to live the rest of his life as an outcast he would at least still be able to teach his children the error of his ways. Thus because John Proctor had a way out of his trap and opted not to take it because of selfish pride he is not tragic. Tragedy has been said to be the "progress from ignorance, through a cycle of suffering, to enlightenment" (Merle 4). But what exactly does that mean and who would fit this bill of tragedy? ...

... was a beautiful he had a black mane that shinned when the sun hit it. I keep his tail braided. He was a kind and gentle horse who loved apples. But there is one thing that sat him apart from all the other horses he could talk, like Mr. Ed on Nick at Night. Lighting was as real to me as the next door neighbor's dogs. Lighting was like my source of salvation when I was in trouble. When I got into trouble and was sent to my room he always came and rescued me. He would take me to places like Disney World and Six Flags and of course he got to ride the rides to. He would even go with me to school some times. Thank good ...

... he had done a "bad thing." Whether or not it was an accident, Lennie had killed Curley's wife. Lennie liked Curley's wife, though he was not permitted to associate with her. When he killed her, it was as if he was losing a companion, leaving Lennie with a sad feeling of loss. Lennie truly does feel guilty about her death, not only because it was a "bad thing," but because he had lost a friend. A few times throughout the story, especially near the end, Lennie realizes how much of a burden he is on George. George had always taken care of Lennie. Even when times were rough, George always made sure that Lennie was ...

... much of this to the setting of the novel, America in the 1920's. Through both subtle hints within the plot, as well as passages that blatantly support Fitzgerald's own views, the reader is left only to agree with Fitzgerald's feelings towards post war upper class Americans after concluding the novel. The main characters in The Great Gatsby all have very different personalities. Despite this however, all of the characters are affected by money, and Fitzgerald uses this fact to influence the response of the reader. Some characters, like Gatsby and Tom Buchanan, have money, and are very expressive with it. Example ...

... do, but they also control the past. Anything that does not comply with what the government wants they just erase from the past. The Party keeps watch over everyone. Each house has at least one telescreen mounted on the wall so the government can keep watch over everyone's actions. They do this to keep individuals in line. The Party members are not allowed to love or keep a family. The proles, because they are considered to be inferior and stupid, so it is ok for them to think and love and have a family. But they still do not have freedom; the government still keeps track of their actions. "Proles and an ...

... internal struggle as a means of transforming her from a petty young woman to a subtle heroine. Lucy Honeychurch is introduced to the reader as a somewhat petty young woman, obviously ignorant to the “ways of the world,” who is being chaperoned by her cousin, Charlotte Barlett, while vacationing in Italy. Numerous conversations over matters of dress, the acceptability of various pieces of furniture, and other’s vacations, suggest the snobbish nature of both Lucy and Charlotte. In fact, matters of convention encompass Lucy’s life until George Emerson’s “caddish,” yet neve ...

... holds a particular focus on men and women and the relationship between them. The positions and clothing that the men and women are set up in hold strong emotional implications about their feelings towards one another and the emotions involved in the social setting. The opening of “The Man of the Crowd,� describes the emotions involved in untold secrets and the deepest of crimes; there are internal conflicts, struggles, anxieties, and agonous results due to the horror of the unsolvable crimes. The possibility of these crimes is introduced through the man of the crowd through his unseemingly unidentifiable ...