... two different thoughts that occur through the mind of people during their extensive lifetime. Conflicts heavily arise between the two topics of good and evil. These conflicts can be extremely realistic or notably exaggerated. They both represent two powers that involve different emotions within your heart. Through common stories, good and evil are portrayed through protagonist and antagonist view, creating morals and opinions, and how society's views have changed over time. Common stories portray good and evil through a protagonist and antagonist view. The first thing I think of when I hear "good vs. evil& ...

... but here's my husband, and so much duty as my mother show'd to you, preferring you before her father, so much I challenge that I may profess due to the Moor my lord” (Othello, I.iii 184-188) As the course of events shift, Othello and Desdemona end up in Cyprus together. Iago, ensign to Othello, in his lust for power, tricks Othello into believing that Desdemona has had an affair. Othello is overcome by jealousy, the “green eyed monster.” “O, beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds on…” (Othello, III.iii 169-171) I ...

... should have directed her venom at someone who was more deserving. Professor Keating is another who had his pupils best interests at heart. His teaching methods were eccentric, but his point always came across loud and clear. He was idolized by his students. In a school of such dignity and staunchness, his approach was a breath of fresh air. He was never afraid to put himself on the line if it meant that his students were to gain. This was no more evident than with the Dead Poets Society. He knew that if it were ever uncovered by the faculty higher-ups his job would be, at least, in serious jeopardy. This is a ...

... water shoots hundreds of feet into the air, causing the boat to back off. Once in a while the monster will disappear from sight for hours. While reading this part of the book the reader feels like he is on the boat chasing the monster also. A lot of times the boat gets close enough to the monster to catch it and thoughts of what you think the monster could be run through your head like crazy. When they finally make an attempt to capture it, it disappears beneath the depths of the ocean. One of the most suspenseful and mysterious parts of the book was when the characters ...

... in society. They rarely held important jobs if they were not married. Instead, they basically had two options either as a governess or a schoolteacher. If they were married they were mothers and hostesses for their husband's parties. Jane was a very strong woman for her time, as she did not allow people to mistreat her. She is on a constant search for love and goes many places to find it. As Jane travels through each place, starting at age ten in Gateshead Hall till she was nineteen in Ferndean, she matures as a result of the experiences that she has, which in turn allows her to become a strong woman. In the ...

... to succeed. After Fogg read the article in the paper about how it is possible to voyage the world in eighty days Fogg knew he could prove it. So after he made the bet that he could do it he was so determined the whole way that he could make the voyage. Along the way, he tried not to let anything get in the way even though the trip was delayed by slow railway systems, rescuing an Indian maharani from a burning funeral pyre and being constantly followed and spied on by a detective named Mr. Fix. One important decision Fogg makes is when he got to a train station they told him that he couldn’t go on t ...

... "chubby and delicate, like those of a plump little girl." With the use of portrayal of characters, Steinbeck presents the actions and speech of Ma, allowing the reader to draw his own conclusion from what MA says or does. Throughout the novel, Ma's face showed that it is controlled and kindly. She is the strength of the family and she always uses her emotions for her family's benefit. Her family didn't feel anything she didn't feel. If she felt fear, the family did too. "Since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself." ...

... walked, his complete grace of movement; he loved everything that Siddhartha did and said, and above all he loved his intellect, his fine ardent thoughts, his strong will, his high vocation. Govinda knew that [Siddhartha] would not become an ordinary Brahmin, a lazy sacrificial official, an avaricious dealer in magic sayings, a conceited worthless orator, a wicked sly priest, or just a good stupid sheep amongst a large herd. No, and he, Govinda, did not want to become any of these, not a Brahmin like ten thousand others of their kind. He wanted to follow Siddhartha, the beloved, the magnificent. And if he ever becam ...

... epiphany IV. Bessie, his sister A. childhood memory brings about full epiphany V. Venus of Urbino A. aesthetic constant--she, as a painting, remains static B. Fidelman's method of viewing her evolves, providing his epiphany VI. Relationship of female characters VII. Conclusion and restatement of thesis. Bernard Malamud, a leading contemporary Jewish author, skirts between fantasy and reality in his almost allegorical short fiction, teaching the reader a lesson through coinciding elements of beauty and comedy. Venturing away from his usual, inner-city Jewi ...

... eventually chases out of town or kills. Another element of westerns is a gunslinger. A gunslinger is usually a young man who makes his living shooting other men in showdowns, a classic example is Billy the Kid. Railroads are also a recurring image in westerns. Since the railroad was the major mode of transportation in the old west, it is always present in westerns. Finally, westerns always have a villain. The villain, usually a man, dresses very slick and will stop at nothing in his quest for power. In addition, the villain usually has a gang to carry out his dastardly deeds. The gang is usually full of inc ...