... placed upon her life after the birth of her fourth child Benjy. At birth Benjy appeared normal, though he never fully mentally developed. When Mrs. Compson learned of her sons disability her entire life shattered. She wondered how anyone could accept her or her son now. The mother's obsession with sound and appearances led to the following, "Reckon Maury going to let me cry on him a while, too. His name is Benjy now, Caddy said. How come it is, Dilsey said. He aint wore out the name he was born with yet, is he. Benjamin came out of the bible, Caddy said. ...

... Marriage is like a triangle. Each spouse makes up one of the leaning sides, and marriage the lower side. The three together are very strong, but to stand they all must be united. The longer a marriage is held the longer the bottom stretches, and the more dependent each person becomes on the other. If one side tries to stand on its own then the second will fall on the first as it tries to stand. This metaphor also excellently exemplifies the catastrophe that occurs in Macbeth as both Lady Macbeth and Macbeth try to separate. Macbeth is a eighteenth century play written by William Shakespeare. Using these two metapho ...

... the image of Petrarchan poet's mistresses who always were ideal and idolized. Any lover's mistress in Petrachan poet's sonnet would expect to have eyes that vying the sun, lips that are redder than coral, breasts as white as snow, and hair that shines. Nevertheless, the speaker created his mistress to a contradictory image of an ideal lover. The speaker insisted that his "mistress' eyes" were "noting like the sun. Coral" was "far more red than her lips' red" and "if snow be white," then "her breasts" were "dun." He also commented that "if hairs be wires, black wires" grew "on her head." Furthermore, her skin was d ...

... a holiday. No one is indispensable. I will dismiss her for this." Although Ayah has contributed much to the family, no one but Radha appreciates it. The same goes for Sidda in "Leela's Friend", who is immediately assumed to be a thief simply because he was an ex-convict. However, the characters are not totally unhappy. Both Ayah and Sidda have a close, loving relationship with their charges, Radha and Leela, who seem to cling on to them more than they do to their parents. The children are free from prejudice and appreciate the true value of their servants. It is also untrue that the vicious cycle of po ...

... is not physically attractive and very slender. His eyes have a “strong, penetrating power,” (Chpt. 10, p. 157) and he is a loner. “Old Roger Chillingworth, throughout life, had been calm in temperament, kindly, though not of warm affections, but ever, and in all his relations with the world, a pure and upright man.” (p. 157, Chpt. 10) He enjoys studying and the pursuit of knowledge. When Chillingworth finds out that Hester cheated on him, he cannot be blamed for being dismayed and livid. He feels betrayed, and calls Hester’s sin unpardonable. His rage quickly becomes res ...

... he decided to go East and learn the bond business. He came East permanently in the spring of 1922. He found a house on the island which extends due East of New York. He has a beautiful house in a place called West Egg. That was on Long Island. He made contact with his neighbor living closest to him, Jay Gatsby. Jay Gatsby was a very rich man with an enormous property. His house had a big lawn, a swimming pool and an exclusive garden. Despite all his money, he wasn’t a very happy man. There was no woman in his life, just servants. His way of getting in touch with people was through his parties. He ...

... is it as simple as one would think, as far as women just being denied the education that would allow them into a converse community. Or is it deeper than that. Is there a woman's way so to say of thinking, speaking, and acting that makes it difficult for us to communicate? Cixous describes the main problem for women's writing as one of false myths created by men such as Freudian. Cixous suggests that we as women need to question these faulty impressions of us created by men. If women did/do question these myths, if we would "look at the Medusa straight on," we would find out "she's not deadly. She's beautiful an ...

... would leave. I believe that the economic situation of the country has a great effect on the fall, or succession of people like the Joads, but I don't believe government programs will effect them at all. For example, the great depression was a major economical event, and it greatly effected more then just people like the Joads, but programs like the public works administration, which employed people for government construction projects. Another program, the Works Progress Administration, later called the Works Projects Administration was created to develop relief programs, and to keep a person's skills. From 1935-194 ...

... lives in. Not only is she not ashamed of her occupation, she is proud of the amount of money that it, as well as managing several houses of prostitution, has made for her. When asked of any shame about her job by her daughter she states, "Well of course dearie, it's only good manners to be ashamed of it: it's expected of a woman." This statement shows that the only reason that one would be ashamed of it is because of society says that one should be. She feels that the restrictions that society has placed on women has made it impossible for her to pursue any other lifestyle. She demonstrates this by saying, "It's f ...

... correct their behavior during life itself. The conflicting views put forward by different societies may never be reconciled, since nobody comes back to tell of an afterlife. Robert Frost successfully delineates this process in his poem, "Out, Out -" as he describes how the boy in the poem experiences the first stage of impending death - that of denial. Frost paints a picture of school age children doing the household chores of adults. Death with children is especially disturbing because in our unconscious mind we are all immortal, so it is almost inconceivable to be openly confronted with the reality of death. ...