... of her family and the poison that seems to infect their very souls. She is obsessed to the point of madness and this poison is best described by Jasmine when she comes upon Faye the morning of Faye’s decision to create order out of the chaos that has been her life. “I realized talking about it was useless when I saw her eyes. The fearful person I had seen behind her bright eyes the past few weeks had come out now; she was that person. She had told stories to save herself - now she was telling them to excuse herself. Hatred. Jealousy. Anger. Evil. All I had seen in my mother’s and ...

... These people played an immense part in what was viewed as right and wrong, just as in today's day. In Boccaccio's Decameron, "Tenth Day, Tenth Story", the main character, Gualtieri wants to test his new wife to see how loyal she is to him. In the beginning of the play, it is portrayed to the readers that Gualtieri is a very well respected, moral man. After being told that it is nessecary to find a wife, Gualtieri states, "I will do as you request and so shall I have only myself to blame if things turn out badly, I want to be the one who chooses her, and I tell you now that if she is not honored by you as your la ...

... includes the breaking of a wine cask to show a large, impoverished crowd gathered in a united cause. At this point in the novel, Lucie Mannette and Mr. Lorry had just arrived in Paris to find Lucie’s father. The author appears to get off of the subject to describe the breaking of the wine cask. This however, is much more significant than it would first appear. Outside of a wine-shop, a wine cask is broken in the street. Many people rush around the puddle on the ground trying to scoop it up and drink as much as they can. Dickens describes the rush to the spilled wine by saying "The people within reach ha ...

... stimulated by the prophecies of his fate, is this Shakespearean work of art really a Tragedy? Aristotle, one of the greatest men in the history of human thought, interpreted Tragedy as a genre aimed to present a heightened and harmonious imitation of nature, and, in particular, those aspects of nature that touch most closely upon human life. This I think Macbeth attains. However, Aristotle adds a few conditions. According to Aristotle, a tragedy must have six parts: plot, character, diction, thought, spectacle, and song. Most important is the plot, the structure of the incidents. Traged ...

... section at the start of any story is character development. The story "A blow, A kiss" opens with Albie and his father travelling home from a fishing expedition in the front of a truck, Albie refers to his fathers warmth and smell as being "enough" to subdue their earlier bad luck, Immediately a strong bond is realised between Father and son. Other than this the only other clues to the identities of this pair is the references to Albie’s mother and the eventual evolution of their rural surroundings. In the novel "To kill a mockingbird" Harper Lee has adopted a style most novels are written in. The story opens w ...

... to find! He also was quite dependent. Even though he went off in his solitary "splendor" most every day, he grew to rely on things. Such as nature, perhaps. Maybe one of the reasons why he was so fascinated by nature could be that it was reliable (in a way). He knew that there would always be plants to observe, beaver dams to find, etc. He knew that the boys at Devon were not always very reliable, and certainly he didn’t want to take the risk of trying to be friends with them! That could mean being let down, and Leper wouldn’t be able to handle that. He couldn’t handle when the war let him down. After seeing ...

... flowers and waterdrops, the dress the woman is wearing, and her daydreams of her lover are most crucial in developing this theme of freedom. In the beginning of the poem, as well as throughout the work, the speaker describes daffodils and other types of flowers moving freely in the wind. Using imagery to appeal to the reader’s sense of sight, these flowers are given motion, and they are described as, “…blowing,” (3) and “Flutter[ing] in the breeze,” (23). This creates a sense of freedom and flexibility. The woman in the poem, presumably Amy, wishes to be like the moving flowers, ca ...

... student should no longer be baby sat. She must think for herself rather than be force fed information. To achieve this higher level of thinking, as Roger Sale explains, takes discipline. Through discipline the students’ mind becomes liberated, allowing her knowledge to become "active" (Sale 14). Therefore, by making her knowledge active, the student is able travel past the surface and explore the information in a deeper sense. In doing this, learning does not become a habit. Rather, instead of memorizing material to perform well on a test, or regurgitate it into a paper, the pupil synthesizes the informatio ...

... also irrevocably creates himself as a character in the narrative. It is Kurt Vonnegut, the writer, the former POW, who speaks of the many times he has tried and failed to write this book. It is Kurt Vonnegut, too, who utters the first "So it goes" after relating that the mother of his taxi driver during his visit to Dresden in 1967 was incinerated in the Dresden attack. "So it goes" is repeated after every report of every death. It becomes a mantra of resignation, of acceptance, of a supremely Tralfamadorian philosophy (something we will be introduced to later). But because the phrase is first uttered by Vonnegut ...

... secluded spot, a place that is evidently a refuge for him. He then tells how he has though of “these beauteous forms’ at many difficult times since he was last at this spot, five years before. At these moments, his recollections of his time on the banks of the Wye seems to lift his spirits and restore him. He then points to what might, at first glance, seem to be impossible: “unremembered pleasures.” How can it make sense to say that we recall “unremembered pleasures”? If they are unremembered, how can we be thinking about them? This strange phrase might point to some vag ...