... Zeus. The ego-centric Prometheus became obsessed with devising a means by which he could procure fire and with no other motive in mind than glory, he cunningly stole fire from Zeus and gave it to a grateful mankind. Prometheus’ trickery was bound to invite catastrophe. Zeus’ retribution was swift and twofold. Firstly, with the help of Hephaestus, Hermes and Aphrodite, he fashioned out of clay the first woman, Pandora. Thereafter, men would no longer be born directly from the earth; now through women, they would undergo birth by procreation, and consequently old age, suffering and death. She was given a box whi ...

... always exist. The safest decision is not always the easiest to live with. What Dubus seems to be commenting on is the transformation of man as he grows older. At an older age, you learn to accept things you cannot change. The main character is Mitchell. He is round and dynamic. He is round because the story revolves around him. His thoughts and actions are crucial to the story and are described in great detail. He is dynamic because he changes from a relatively carefree, self-assured man into an impetuous man who feels old and becomes consumed with guilt. After witnessing the rape: “He did not know wh ...

... is brought on by her insistent attitude that she must have everything in the manner that she desires. Her insubordination in this society would have the denizens of the time returning quite spiteful glances at Mrs. Pontellier. A quote to help one picture the ill-willed persistence carried by Mrs. Pontellier was mentioned when the book summarizes her emotions: "She perceived that her will had blazed up, stubborn and resistant. She could not at that moment have done other than denied and resisted (P.31)." Her insistent attitude also made her self-righteous and neglectful of other persons. In othe ...

... in each particular thing to which it is common. A universal is supposedly one entity existing in every particular to which it is common at all times. But Boethius argues that if it is to exist wholly in several things at one time, it cannot in itself be one entity. According to Boethius “everything that exists exists for the reason that it is one.” And therefore, if the universal is existing in several things at one time (and thus is not one in number) then it cannot exist in this Platonic fashion. Boethius’ second argument deals with universals if they are to be spoken of as be ...

... is when Bottom admits that he can “…gleek upon occasion” (III, i, 136). Thereby demonstrating that he can take jokes as well as give them. Yet another instance where Bottom furthers his humour – this time through ignorance – when he proclaims “What do you see? You see an ass-head of your own do you?” (III, i, 107 – 108). Here - in his ignorance of the ass-head on him – he insults his friend in a very humorous manner. Bottom is a very humorous character utilised to his full potential in this play. A second, possibly even more humorous character in thi ...

... of the novel contrast not only each other but them selves allowing the reader to envision the struggle one encounters once they have met with the darkness in their heart. The setting, symbols, and the characters each contain light and dark images create the center theme of the novel. The physical setting of the novel plays a major role in the journey through in both a physical or literal sense as well as in the metaphorical journey through one’s own heart. Each and every aspect of the setting can be paralleled to darkness and unknown aspects of one’s own self. This aspect provides for the metaphorical way ...

... of his books, he writes like a satire to attack a satire and its ideal world with definite answers (Kennard 1). A significant part to Vonnegut’s books is the satiric and humorous qualities used to emphasize the serious points of his books. In the books, which are considered science fiction, contain wild black humor, which is uncommon amongst these types of books (Overview 1). His humor targets the futility of warfare, the negative effects of technology, and the potential of man’s evil to cause havoc. He laughs and is pessimistic towards government and religion (Introduction 1). Vonnegut is anti-technology, ...

... Launcelot persuades himself that, “Certainly the Jew [Shylock] is the very devil incarnation…� (2.2.24) Eventually, Launcelot convinces himself that he would much rather run away than be ruled by a Jew. Launcelot presents this argument to his father: “I am a Jew if I serve the Jew any longer.� (2.2.104) Before Launcelot accepts a new job with Bassanio as his master, he is reminded that Bassanio is much poorer than Shylock. His reply to Bassanio was, “You have the grace of / God, sir, and he [Shylock] hath enough.� (2.2.139-40) Lorenzo insults Shylock behind his back when he tells Jessica (Shylock’s da ...

... allusions from the Odyssey to Kalypso’s song. The relationship between Odysseus and Kalypso influences Denver’s song. Denver uses Kalypso, an immortal and enchanting goddess, to represent women in our society. In the relationship between Odysseus and Kalypso, Odysseus is very inferior to the goddess. He is held on an island for many years serving Kalypso with whatever she demands. Kalypso wants a person whom she can experience companionship with and a person to lay beside her each night. Odysseus obliges even though he claims he is under some sort of trance. This trance or spell he is under is anoth ...

... could no longer perform them. As a result Pepita was subjected to a kind of molding process. In this process she was assigned to worst task in the orphanage, which taught her administration. She also became a kind of companion for the Abbess, accompaning her on her trips, on which she was educated in the management of women, wards, and how to beg for money. Yet the strangest part of her education was the Abbess's decision to send her to live with the Marquesa. The Marquesa was a crazy woman who made Pepita's life even worse then it already was. As her companion Pepita was ignored constantly and lived a life of ...