... female companionship leads him to a reasonably accurate self-analysis: he thinks that he is the “biggest sex maniac you ever saw,� but later admits that he really doesn’t understand sex or know much about it. Holden, however, finds himself feeling rather “horny� and decides to call upon the service of Faith Cavendish. She “wasn’t exactly a whore or anything but she didn’t mind doing it once in a while...� Holden feels this experience will thrust him into what he considers the adult world. The conversation with Faith was a long one but inevitably led to nothing. An incursion into the adult worl ...

... Ellison's Invisible Man through their use of setting, force their protagonists to come to a realization of self-awareness. In Deliverance, Dickey illustrates how man, removed from "civilized" society, reverts back to his primitive instinct. Man, in this primitive state, becomes the most dangerous creature that roams the earth. His ability to reason becomes utilized only on the aspects of survival; laws cease to exist and man justifies and acts out any action that ensures his survival. He shows that it is not nature one should fear but rather man, nature is a neutral force that only provides context for man to b ...

... does a sense of duty to her brother. This familial duty drives Grete to deal with the present and face reality. As part of this realization she becomes the sole caretaker of this thing which has taken her brothers place. Comfort and edible meals are a top priority at this stage with regard to Gregor. She "now considers herself an expert in Gregor's affairs." The intensity with which she performs her duties is borderline neurotic. When Mrs. Samsa tries to strip her of cleaning duties Grete "burst into a storm of weeping"(p.237). At this stage Greta is learning to set her emotions into action. The stress of Gregor's ...

... of love, which he explains in other keys in plays before and after remain central, though now it is to idealized in all seriousness(Sauffer 29). All through the play Shakespeare constantly held love as the basis of the play. The actual ethical energy of the drama resides in its Wise,2 realization of the purity and intensity of ideal love. Here there is no swerving(Stauffer 32). Stauffer believes that Romeo and Juliet's love was pure and intense also it is constant ever since the they lay eyes on each other. Romeo and Juliet's love is a perfect blending of body and soul. The obstacle which ...

... she desires the acceptance and love of society. The world has led her to believe that she is ugly and that the epitome of "beautiful" requires blue eyes. Every night before she goes to sleep, she prays that may she wake up with blue eyes. The image of "Shirley Temple beauty" surrounds her. In her mind, if she were to be beautiful, people would finally love and accept her. This idea of beauty has been imprinted on Pecola her whole entire life. Many people have inscribed this notion into her. Her classmates also have an effect on her. They seem to think that because she is not beautiful; she is not worth anythi ...

... art that makes a person feel good. It doesn’t have any use, for the artist or the observer. Art is supposed to deal with emotion. It is one thing that helps people heal, not only by seeing, but also by doing. Art is able to take all the bad emotions, all the hurts and pains and lets you express them. It is no wonder that many that have seen the destruction of war have turned to art. You don’t see any "pretty pictures" of war. I’d like you to find one pretty aspect of war. There is none, so therefore, war, as a subject for art, is hardly ever pretty. The stories that they write, the p ...

... hair and says, "Christ. Christ.," not in reference to the Lord or religion in general but because she is worried about how bad she looks. This gives and indication of how the author interprets religion in the story, not important and not serious. As the story progresses, Connie’s language takes an obvious turn. When Arnold Friend, someone she has seen but never talked to, shows up on her doorstep, she is somewhat defensive, but curious. "I ain’t late, am I?" is the first thing he says to her when she opens the screen door. Connie replies by saying, "Who the hell do you think you are?&quo ...

... that will eventually result in his downfall. The very first words that he speaks in the play are :- "...Give me the map there. Know that we have divided In three our kingdom, and 'tis our fast intent To shake all cares and business from our age, Conferring them on younger strengths while we Unburdened crawl to death..." (Act I, Sc i, Ln 38-41) This gives the reader the first indication of Lear's intent to abdicate his throne. He goes on further to offer pieces of his kingdom to his daughters as a form of reward to his test of love. "Great rivals in our youngest daughter's love, Long in our court hav ...

... Joseph Campbell describes (page 159). Whatever the reasons may be, Amy refuses to aid Yanko in his time of need, resulting in Yanko's death. There is a great change of heart from Amy's first compassion for Yanko to her nonchalance of his death. However, the results may have only been a product of the different levels of love felt by Amy for Yanko. The general population of Brenzett treats Yanko an escaped lunatic when he is first spotted in the seaside town. He is whipped, stoned and beaten by many of the residents. In addition, he was captured and caged like a wild animal. He is described as a ...

... Finny, they were roommates and did many activities together. Finny was never the source, but the core of most of Gene's feelings, both good and bad. First, one of the biggest problems that Gene had, that is jealousy. Gene was jealous of Finny's confidency, openness, modesty, superb athletic abilities, his natural leadership skills, his ability to deal with stress easily, his care free attitude, his people skills and, of course, his good looks. Early in the story Finny demonstrated his openness by when asked for his height, he said 5 foot, 8½ inches, while Gene replies 5 foot, 9 inches. Finny pointed out that t ...