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Help With Arts and Theater Papers
The Changing Role In Viola/Cesario In The Twelveth Night
... she would not be. Thus, a customary role in society and to the
outlooks of others is portrayed.
Orsino sees Cesario, as a young squire just starting out in the world,
much like himself as a young, spry lad, so he has a tendency to be more
willing to unload onto her with his troubles and sorrows, seeking a
companion with which to share and to teach. Thus, Viola grows in her male
disguise to get a better feeling for his inner self, not the self that he
shows to the public, or would reveal and share with Viola in her true
female self, but rather his secret self, as he believes he shares with a
peer. S ...
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Othello As A Tragedy
... of Shakespeare's tragic heroes, Othello is enhanced and aristocratic. He is introduced as very noble and dear to his wife, Desdemona. In act one scene three, he identifies himself with the "great ones" of the world. However, he does not portray any sign of haughtiness or arrogance. He has the reputation to be brave and courtly when he is introduced to a crowd with, "Here comes Brobantio and the valiant Moor." From the beginning to the end of the novel, he is aware of his high position. In the first act, Othello refuses to be aroused by Iago's account of the anger of Brabantio. He knows where he stands and la ...
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Twelfth Night: Theme Of Love
... feel very strongly toward one another. Viola's love for Orsino is a
great example of true love. Although she is pretending to be a man and is
virtually unknown in Illyria, she hopes to win the Duke's heart. In act 1,
scene 4, Viola let's out her true feelings for Cesario, "yet a barful strife!
Whoe'er I woo, myself would be his wife (1)." That statement becomes true when
Viola reveals her true identity. Viola and Orsino had a very good friendship,
and making the switch to husband and wife was easy. Viola was caught up in
another true love scenario, only this time she was on the receiving end, and
things ...
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The Crucible: Although Abigail And The Girls Initiate The Tragedy, Responsibility Lies With The Whole Salem Community
... brought into the play
and each one holds part of the blame - therefore bringing down the entire of the
community and causing people to turn against each other and all principles they
once believed in.
Abigail and the girls deny everything. Part od their denial is accusation. By
shifting the blame onto someone else, they believe that they will not be held
accountable for their own sins. Abigail manipulates her way through the play,
and even after Mary Warren confessed that the whole story was a pretense,
Abigail continues manipulating the court room and the people within it with
antics of ‘a wind, a cold wind ...
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Oedipus
... in itself a far-reaching ideal that exemplifies the essence of what
mankind could be when he determines his own fate. But with determinism, a man
has a predetermined destiny and fate that absolutely cannot be altered by the
man himself. Yet, it has been the desire of man to avoid the perils that his
fate holds and thus he unceasingly attempts to thwart fate and the will of the
divine.. Within the principle of determinism, this outright contention to divine
mandate is blasphemous and considered sin. This ideal itself, and the whole
concept of determinism, is quite common in the workings of Greek and Classical
lit ...
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The Truth Of Suffering In King Lear
... with their as they gain knowledge
from suffering.
Lear, is the character most obviously made to suffer. In the
beginning of the drama, Lear is unable to see the good in his daughter
Cordelia. He is so egotistical that when Cordelia explains her love for
him is that of a daughter for her father, he becomes enraged. He desires
to hear she loves him more than she could love anyone, ever.
Cordelia: Good my lord,
You have begot me, bred me, loved me.
I return those duties back as are right fit:
Obey you, love you, and most honor you........
That lord whose hand must take my plight shall carry ...
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Macbeth: Imagery Of Planting
... seeds of evil are rooted in envy.
The imagery of planting in Macbeth helps to bring about an atmosphere of evil. The words of Banquo to the witches: "If you can look into the seeds of time,/ And say which grain will grow and which will not," (I. 3; 58-59) plant early in the play a conception of time as something which fulfills itself by growing---and which, the season being wrong, can swell to monstrous shape. " . . . the troubles of Macbeth's character are planted early in the play, and they foreshadow his downfall," (Brooks). In the early scenes of the play evil is scarcely visible in Macbeth, but it spreads ...
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Movie: All Quiet On The Western Front
... he has. This shows that the boys are already changing.
When the boys go to the training camp they are still innocent. They meet
Corporal Himmelstoss. Corporal Himmelstoss is very mean to the boys and is very
strict. After completing the Training camp the boys go to war. When the boys
get to the battlefield they are told by Kat their leader, that what they
learned in training camp they do not need to know because, you don't need to
know how to march in war. The first day they are there, Paul sees a horse
getting killed. He is very mad about this because the horses are innocent and
they are not involved with the w ...
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Macbeth: Imagery Of Animal Behavior And Class Status Advances
... when you are missing something you are apt to be very self conscious and
hide it. In addition the rat is veer low on the chain of being.
The next passage is Act 1 sc. 7 line 49. In this passage Lady Macbeth
is quoted saying “like the poor cat I ‘th' adage” (1, vii., 49). That means “
the cat who eats fish but will not get his feet wet ” (Folgers, p 40). Lady
Macbeth is telling Macbeth that he is like the cat because he wants to become
king but he won't get his hands bloody. However Lady Macbeth would find someone
else to get their feet wet, someone to do her dirty work.
In act 2 sc ...
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Coming To America: Adjusting To A Culture
... to fill out
the Prince's dreams. They arrive in a suburban area of Queens wearing very
expensive suits and animal skins around their chest. Soon they find out that
they need to change their wardrobe to fit in with the rest of the population.
Prince Ahkeim plans to meet a woman that will love him for who he is and not
for the wealth he has. He must make everybody he meets believe that he is an
ordinary person from New York so that his cover will not be "blown". The
Prince even gets a job at a fast-food restaurant and works like a peasant would
from his home. When asked where he is from, he simply replies "I'm ...
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